I saw it opening weekend. A24 gave a 20-year-old director a budget, and Kane Parsons made the most unsettling film of the year — the kind where you feel genuinely submerged in the liminal space, like the hallways are breathing. The production design is immaculate. The fluorescent lighting is perfect. You leave the theater and everything looks slightly wrong for the rest of the day.
I left the theater and immediately started pulling clothes.
That yellow-green hue. The water-stained walls. The way every corridor looked like somewhere you've been but can't quite place. It's a specific feeling, and it turns out fashion is really good at capturing feelings. The backrooms aesthetic has been circulating on the internet for years, but the film made it visceral in a way a Pinterest board never could. So I styled it — with some help from Camille.
Here are 11 outfits we put together in the weeks after seeing the film. Each one is a different interpretation of that same energy — some obvious, some oblique, all wearable.